Paper Title: Naritter Nobodigonto: Nazruler Nirbachito Golper Somajtattik Prasongikota

Author:

Riya Saha¹
¹Ph.D. Scholar, Dept. of Bengali, The University of Burdwan, West Bengal, India
DOI Link (Crossref) Prefix: https://doi.org/10.63431/AIJITR/3.I.2026.207-211
AIJITR, Volume 3, Issue –I, January-February, 2026, PP. 207-211
Received on 25th February, 2026 & Accepted on 27th February, 2026,
Published: 28th February, 2026

Abstract:

This study explores Kazi Nazrul Islam’s revolutionary portrayal of women through a sociological lens, focusing on the stories ‘Hena’ and ‘Badal Borishone’ from the collection Byather Dan. During the early 20th century, when Bengali society was bound by rigid reforms, Nazrul introduced female characters who challenged patriarchal norms to assert their identity and rights. The character Hena represents a ‘heroin’(Birangana) who prioritizes truth and patriotism over

romantic indulgence. Her rebellion lies in her honest expression of feelings and her role as a moral guide, encouraging national sacrifice over domestic comfort. Conversely, Kajoria in ‘Badal Borishone’ symbolizes a fierce rebellion against colorism and societal standards of beauty. She asserts that true beauty resides within and rejects affection perceived as ‘pity’ to preserve her dignity. The research highlights the profound contemporary relevance of these characters; Hena’s agency mirrors modern concepts of ‘consent’ and female decision-making, while Kajoria’s struggle aligns with the ‘body positivity’ movement and the fight against skin-tone discrimination. Ultimately, Nazrul’s literature presents

women as active agents of social change, mental strength, and self-respect.

Keywords:Kazi Nazrul Islam, Rebellious Women, Colorism, Patriarchy, Self Dignity, Consent, Body Positivity

DOI Link – https://doi.org/10.63431/AIJITR/3.I.2026.207-211

Review By – Dr. Amit Adhikari and Dr. L khan